blablablack

An art show @ Rebound Club Athens
Concept and curated by Eriphyli Veneri & Naira Stergiou

Mithimnis 43, Amerikis Square, Athens
12.12.2019

WALK IN. CHEEKY SMILE. THERE'S THE STAGE. SHUSHHHH (ATTENTION). KEEP YOUR BREATH. SMOKE THE FOG. STRAY OF LIGHT. HMMM. LOOK AT IT. LOOK AT ME. PLUCK AN EYELASH OF YOUR CHEEΚ. OOPS! HA! PEEK-A-BOO. WHAT DO YOU SEE?
The legendary Rebound Club Athens opens its doors in Amerikis Square to nine contemporary Greek visual artists. Stripped of music, its atmospheric underground space turns into a one-night stand action-field for interventions in the form of performance, video, installation and sculpture. Everything black, black only. The bar will be operating normally.

Artists participating:
Despina Charitonidi | Olga Evangelidou | Panos Profitis | Vasilis Papageorgiou | Thalia Raftopoulou | Naira Stergiou | Alexandros Tzannis | Augustus Veinoglou | Eriphyli Veneri











Olga Evangelidou
Embroidery Pet with Six Ears
performance, fabric, plastic, thread
performers: Eva Vaslamatzi, Nefeli Papaioannou 
(photos by Nefeli Papaioannou)
2019







Augustus Veinoglou
Machine
sculptural installation, metal, ceramic plaster, pigment, 200 x 70 x 80 cm
2018



Vasilis Papageorgiou
Mixed Feelings - Situation of Digestion, Inconvenience and a Tendency to Dance
sculpture, leather, foam, steel, marble, cast aluminium and jewellery, dimensions variable
2019

Alexandros Tzannis
Love Is a Shot In the Dark 2
installation, japanese sword, ceramics, shoes, ashtray, chairs, dimensions variable
2019



Eriphyli Veneri
Nouvelle Generation MMXIX / Pfff
performance, chimney caps, video 2’ 27’’ / 2’ 29’’
2019





Thalia Raftopoulou
Soothing Bukowski
video, 4’ 07’’, gesture on The Charles Bukowski Tapes, Barbet Schroeder (1985)
2010





Naira Stergiou
Aspro Pato!
sculptural installation, incense, charcoal, straws, plastic glasses, syringes, pearls, dimensions variable
2019







Panos Profitis / Despina Charitonidi
Mudskipper
performance and sculpture, ceramic, rope, springs
performers: Loukia Batsi, Despina Charitonidi, Panos Profitis
2018